Born in Berkeley, CA  
               Lives and works in San Francisco 


               1996   M.F.A., Mills College, Oakland, CA
               1992   Skowhegan School of Painting and Sculpture
               1988   Universite de la Nouvelle-Sorbonne III, Paris, France
               1987   B.A. in Art Studio, University of California, Davis, CA 

                Solo and Two-Person Exhibitions

                MURmur, a 2-person exhibition at the Ionian Center for the Arts,                           Kephalonia Greece (with Kate Temple)
                Minoan Stories, Pastine Projects, San Francisco
                Badass Color, a 2-person exhibition at Le Pavé d'Orsay, Paris (with                    Anya Spielman)
                Master of the Nets, Galleri Urbane, Dallas  
                Let it Flow, a VR exhibition at Les Bains des Docks, Le Havre
                (curated by IdeelArt)
                Refraction in the Line of Sight, Galleri Urbane, Dallas
                In Living Color, Galleri Urbane, Dallas 
                Multiple Plot Points, Jen Bekman Gallery,  NYC
                Paintings for the Corner of the Eye, Caffe Museo, SFMOMA 
                 Incident in the Territory of Invention, Merge Gallery,  NYC
                 Hi Jinx, Rena Bransten Gallery, San Francisco
                 Stratagems for Living, Rena Bransten Gallery, San Francisco
                 Orbits of Paradox, Riverside Art Museum, Riverside, CA 
                 The Optimist’s Conundrum, Rena Bransten Gallery, San Francisco
                 Definition Proof, Post, Los Angeles
                 Eccentricity of the Middle Ground, Four Walls, San Francisco
                 Recent Paintings, SFMOMA Artist’s Gallery, San Francisco
                 Fragile Boundaries, Susan Cummins Gallery, Mill Valley

Selected Group Exhibitions

Works from the Flat Files, Pastine Projects, San Francisco
Postcards from Utopia, Italy International Center, Sarasota

If I’d Known Then, Thacher Gallery, University of San Francisco, San Francisco

comme un léger contretemps, Galerie la Grange, Cernay-lès-Reims, France (curated by Ludovic Dervillez, with catalogue)
Art in Embassies, U.S. Embassy, Helsinki, Finland (curated by Ambassador Douglas Hickey and Camille Benton, with catalogue)

form.AS.function, Pastine Projects, San Francisco (curated
by Francesca Pastine)
Chromocartography, Round Weather, Oakland (curated by Chris Kerr)

Studio Visit, Art + Architecture Faculty Triennial, Thacher Gallery, University of San Francisco (curated by Glori Simmons)
Covimetry, BWA Gallery, Ostrowiec Swińôtokrzyski, Poland and
Ely Center for Contemporary Art, New Haven (curated by Mark Starel and Suzan Shutan)

The 5th International Biennale of Non-Objective Art, Pont de Claix, France
(curated by Roland Orépük, with catalogue)
The Big Circle #4, M17 Contemporary Art Center, Kyiv, Ukraine (curated by Jeffrey Cortland Jones)
Artadia 20th Anniversary Benefit, Phillips, NYC (curated by April Swanson)
Interdiscursive, The Institute of Fine Arts, Jan Kochanowski University, Kielce, Poland (curated by Mark Starel)
The World of Icons, Ilko Gallery, Uzhorod, Ukraine (curated by Myroslav Vayda)

Bread & Butter, Galleri Urbane, Dallas (curated by Adrian Zuniga)
Infinite Worlds / Infinite Probabilities, University of Southern Queensland 
Art Gallery, Toowoomba, Australia (curated by Kyle Jenkins)
Summer Show, Gallery 1317, San Francisco (curated by Jeff Alan Gard)
RNOP San Francisco, The Great Highway Gallery, San Francisco (curator,
with Billy Gruner) and RNOP – Cincinnati; New Work For A New System, Smith and Co., Cincinnati, OH
Artadia - Bay Area Awardees, Ascent, San Francisco (curated by
Elizabeth Leach)
KenxArteriors, Arteriors, Dallas (curated by Ken Downing)
Icons:W/13, Kyiv Non Objective, Bulgakov Museum, Kyiv, Ukraine
(curated by Billy Gruner)

Black Box, Boecker Contemporary, Heidelberg (curated by Arvid Boecker)
Personals, Skowhegan New Work Project Space, NYC (curated by Paige Laino)
A Call to Action, Kustera Projects Red Hook, Brooklyn
With Liberty and Justice for Some, Walter Maciel Gallery, Los Angeles
Sanctuary City, San Francisco Art Commission Galleries (curated by Monica Lundy)
Carry On: the Art+Architecture Faculty Triennial, Thacher Gallery, University of San Francisco (curated by USF Museum Studies graduate students)
The Morning After, The Great Highway Gallery, San Francisco (curated by Leo Bersamina)

Hydrography lll, LaKaserna Artspace, Bad Nieuweschans, Netherlands (curated by Henriëtte van't Hoog and Iemke van Dijk)
Fiction (With Only Daylight Between Us) v.2, Corridor Projects, Dayton, Ohio, traveling to Boecker Contemporary, Heidelberg, Germany and Angelika Studios, High Wycombe, UK  (curated by Jeffrey Cortland Jones)
The Great California Art Movement: UC Davis Fine Art Alumni Exhibition 1960-1990, John Natsoulas Gallery, Davis, CA, with catalogue

Colour & Line Are Not Lies, Modern Art Projects, Blue Mountains and Raygun Lab, Toowoomba, Australia  (curated by Tarn McLean and Kyle Jenkins, traveling show)
Formeel 2015: Waterverven, Waterland Museum, Purmerend, Netherlands (curated by Piet Knook)
New Abstraction, Traywick Contemporary, Berkeley
Paperazzi 4: Janet Kurnatowski Gallery, NYC

Object, Object!!,  Helmuth Projects, San Diego (curated by John Oliver Lewis and Jessica McCambly) 
Galleri Urbane Presents S.U.M., Salon Urbane at the Thunderbird, Marfa (curated by Adrian Zuniga)
Steamed, Art+Science: Faculty Triennial, Thacher Gallery, University of San Francisco (curated by Joyce Grimm)
Paperazzi 3: Janet Kurnatowski Gallery, NYC

Light Space Projects/Rituals of Exhibition, H Gallery, Chiang Mai, Thailand (curated by Giles Ryder)  
Color Theory: The Use of Color in Contemporary Art,  Sonoma Valley Museum of Art (curated by Katrina Traywick)
Dripping Color Amazement, oqbo galerie, Berlin 
Uncharted, Marina Cain Gallery, SF
What's the Point?, Jen Bekman Gallery, NYC (curated by Jeffrey Teuton)

Gifting Abstraction, Soho20 Chelsea Gallery, NYC (curated by Mariangeles Soto-Diaz)
Chroma: About Color, Marina Cain Gallery, SF

Informal Relations, Indianapolis Museum of Contemporary Art (curated by Scott Grow)
Touch, Paris Concret (curated by Brent Hallard)

Mixtape, Jen Bekman Projects, NYC
Fate and Freewill, Contemporary Art Space, Riverside, CA (curated by David Leapman) 

Colectiva de las Artistas, Galeria Isidro Miranda, Buenos Aires
Art in Embassies, U.S. Embassy, Montevideo, Uruguay 
Tree, Linda Hodges Gallery, Seattle, WA

Neo-Mod: New Northern Californian Abstraction, Crocker Art Museum, Sacramento, CA and the Monterey Art Museum, Monterey, CA (curated by Diana Daniels)
The Anniversary Show, Rena Bransten Gallery, SF

The World Becomes a Private World: Selections
from the Collection of Penny Cooper and Rena Rosenwasser
, Mills College Art Museum, Oakland
Architectonics, Rena Bransten Gallery, San Francisco
Observations, Carl Berg Gallery, Los Angeles

New Painting and Sculpture, Traywick Gallery, Berkeley
Abstraction, Rena Bransten Gallery, San Francisco

Space Oddity, Joseph Nease Gallery, Kansas City
Climax, jennjoy gallery, SF
Poor Walls, Quotidian Gallery, SF 
Pierogi Flat Files, H&R Block Artspace, Kansas City Art Institute

Paper Cuts, Rena Bransten Gallery, SF
Works on Paper, Post, Los Angeles
Artcouncil Award Show, Jernigan Wicker Fine Arts, SF
Multiple Sensations:The Pierogi 2000 Flatfiles, Yerba Buena Center for the Arts, SF
Haulin’Ass: Pierogi in L.A., Post, Los Angeles
Yellow: The First Color, Bedford Gallery, Walnut Creek, CA

No Image at New Image, New Image Art, West Hollywood
Scopic: Magnify the Times, San Jose Inst. of Contemporary Art (curated by Julie Deamer) 
Nothing But Time, Southern Exposure, SF (curated by David Ross)
A Skowhegan Decade, David Beitzel Gallery, New York
Post-Postcard, Four Walls, San Francisco

Seduced by Surface: 8 Bay Area Painters, University Art Gallery, UC San Diego (curated by Daniel Foster)  
Three Artists, Natalie and James Thompson Art Gallery, San Jose
State University 
Fire and Light, Susan Cummins Gallery, Mill Valley

Master of Fine Arts Exhibition, Mills College Art Museum, Oakland
10th Annual National Exhibition, Berkeley Art Center
Emerging Bay Area Artists, Mace Space for Art, San Francisco 


                 2023   More than Once, Upon a Time, winner of the Best                                   Experimental Film in the short film category, Festival Internacional                     de Cine Independiente de Madrid
                 Teaching Experience 

                 2009-present  Adjunct Faculty, University of San Francisco 
                 Summer 2017: Qingdao University, China
                 2008-2011 City College of San Francisco Cont. Ed. Program


                 Beckett residency grant, Fundación Valparaíso, Spain
                 American Artists Abroad Program, Montevideo, Uruguay.                                   Participation with the U.S. Embassy in workshops, lectures,
                 and exhibitions.
                 SECA Nomination, San Francisco Musuem of Modern Art
                 Artadia Award in the Visual Arts Grant
                 Edwin and Adalaine Cadogan Fellowship Award
                 Juror’s Award, Berkeley Art Center’s 10th Annual National                                 Exhibition, selected by Bill Berkson
                 First Place Award, San Jose Art League’s 2-D
                 Contemporary, selected by Squeak Carnwath


Baker, Kenneth, “Artists Embrace Sleight of Hand”, SF
Chronicle, 5/28/05

Baker, K., “Journey Through the MiddleWay”, SF Chronicle, 6/26/99

Bamberger, Alan, “Opening at Rena Bransten Gallery”,, 5/24/07, and 5/12/05 

Barcio, Phillip, "Female Artists in the Contemporary Reductive Art", IdeelArt, 5/2018

Bonetti, David, “Gallery Watch”, SF Examiner, 6/30/99

Bogert, Rachael, “Cultural Bridge”, UCDavis Magazine,
Spring 2008, p.37
Bowie Style, "Print and Pattern: Geometric", Laurence King Press, London, 2015

Cain, Marcus, “A is for Abstract”, REVIEW, Vol. 3,
Kansas City, July 2001

Callaway, Bob “Jessica Snow at Rena Bransten” Artfever. 6/9/07

Camplin, Todd “Jessica Snow+ Donald Martini at Galleri Urbane”, Modern Dallas, 10/13
Crump, Anne, “Ordered Abstraction”, SF Examiner, 7/13/01 

Daniels, Diana, “Neo-Mod”, Catalog prepared by the Crocker Art Musuem in conjunction with the exhibition, 2005
Grattan, Nikki and Klea McKenna, “In the Make: Studio Visits
with West Coast Artists”,  In the Make,  8/15/2012

Green, Tyler, “Jessica Snow at Rena Bransten”, Modern Art Notes,, 6/14/05

Golonu, Berin, “Scopic: Magnify the Times”, Artweek,
Feb. 2000, p. 17

Hackman, Kate, “Ground Control to Major Art”, Kansas City Star, 6/22/01

Hallard, Brent, “Mutinies and Other Strategies",, 2010

Harvard Business Review Magazine, profile in Artist’s Spotlight, 

Janku, Laura Richard, “ Abstraction at Rena Bransten Gallery”,
Artweek, Feb. 2003

Landauer, Susan "The Great California Art Movement, UC Davis Fine Art Alumni Exhibition: 1960-1990", John Natsoulas Press, 2016

Markopoulos, Leigh. Interview with the KQED Gallery
Crawl Video Stream. June 2007. Also available as a video podcast at the itunes store
Martin, Stacy, “Hi Jinx” SF Bay Guardian, 6/26/07

Sutton, Benjamin, “Molding Mutant Colors Into More and Less Subtle Art”, 2010

Zevitas, Steven, ed. “ New American Painting vol. 25”, Open Studios Press, Boston

Zevitas, S.,ed. “New American Paintings vol. 61”, Open Studios Press, Boston Including essay “Out There”, by Connie Butler